In
this article a new musical ‘The Book of Mormon” is discussed, which is now on in
the theatre Prince of Wales, London. Mr. Ferguson is evidently is in favour of this play, for it is far cleverer, far kinder, far more nuanced than some modern performances, and one of its many surprises is that it sends an enraptured, ecstatic audience home with an odd sense of having
come, somehow, to really like Mormons. From his point of view, the first surprise is how punchingly good the music and dancing are, by Robert Lopez and Casey Nicholaw respectively: you realize
you're in for not just humour but a seriously
fine night of entertainment, and it just keeps on getting better. The story itself about Mormons, which is so winningly, foot-stompingly told
us, is bright, fierce, challenging and unashamedly scatological, offensive
even, but – and the author of the article emphasizes this, - in such a good,
clever, kind way.
Speaking
of the musical, it would be necessary to say some words about the plot. The main characters, two
Salt Lake City heroes, are sent as missionaries
to none of the happy clean places, but to Uganda. They go in hope, with huge
but faintly fixed smiles, of conversions, baptisms, validation – but everything appears
to be not so bright and smooth as they have expected, as the Africans actually live
in poverty, and the friends have to deal with Aids,
baby-rape, malaria and the perhaps wholly excusable desire to repay God in
mysterious ways. This, according to the author, has been the controversial and apparently offensive bit; still, it's one of the highlights. Analyzing the play in whole, Euan Ferguson also expresses the view that
the entirely redemptive nature of the whole show, and how belief may be…
insane, but also a force for temporal good.
GOOD!
ReplyDeleteIn this article THE new musical ‘The Book of Mormon”, now on in the theatre Prince of Wales, London, IS DISCUSSED.
Mr. Ferguson is evidently (NO 'is') in favour of this play...
From his point of view, the first surprise is how punchingly good the music and dancing are, by Robert Lopez and Casey Nicholaw respectively: ONE realizeS THEY're in for ...
In conclusion the author suggests that if you’re not against (N0 'some') controversial themes regardeD in this musical, a night of unalloyed joy is provided to you.
... to the comments IN this article, now I’m not alone in my wish to visit this performance.